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Dance until the crimes end

by Bess of Bedlam

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1.
Back in nighteen eighty-one Nuclear fear and cold war Made some women to ward off the threat and march Ten days long from Wales to South England Towards Greenham Common land ‘We share the same old nightmares We hooked them on Greenham barbwires Weaving the web of our dreams Cause after all we dance for this flesh, these bellies And joy and freedom to win, holding hands tight’ On New Year’s Eve Eighty-two Greenham Women climbed the fence On top of silos, they did dance in round all night long Growing freely like a weed Thirty thousand women circled the base Maggie didn’t like they could take her place ‘We will dance until the crimes end We’ll embrace the base with our powerful hands’
2.
Willie 03:41
Desert Hot Springs, ‘round early fall Willie’s painting on an empty pool’s walls Surreal murals of antique beasts ‘While my husband’s playin’ at shooting range I must tend the bar today again, for a change Serving beer to his two young maidens’ (Chorus) ‘I don’t care where he goes out at night As long as I paint, moon’s my sunlight I don’t care what he drinks or whom he fights As long as I paint, there’s no fright’ Sadly, Willie’s waiting for his child In their house nearby the closed fairground, in the wild At noon she naps in murals pool (Chorus) Nine months that Willie has been waiting, now Nine months she has trained at shooting range, anyhow She’s got sharper black eyes than he does, now Two-headed beasts, fish scale legs, she-wolf teats Warrior look, open jaws, bright shiny hooks Under waves pool water, their bodies shook
3.
Clothed in her strong wool pants It’s a fate foretold She could not even have sensed, sensed Cold and hungry she picked up The robbery rules With her family she broke up, broke up (Chorus) Trapped amid the White Sea Got wrapped into lunacy Alone amid the White Sea I groan among the white hills Caught and sent far away Although watched and scowled She masquerades as a foretune teller Two hundred miles she walked Alone in the woods To reach the White Sea, longing to see him (Chorus) Yet identified and jailed Among her comrades She threw a brick in prison governer’s face I swear I’ll revenge by blood and by words poets shot
4.
Deep under the still water Devious drums have a tantrum Behind the yellow paperwall A wobbly train races at nightfall (Chorus) Her lips are sealed Her whomb’s empty She’ll never heal She’s a hollow tree Into her inner temple she takes A bath of milk filled with rattlesnakes On barrren moving sand Children sing at arising sun (Chorus) An army of restless children Each night invades her dreams Heads down they play on swings In her whomb, they, dancing ghosts To ward of the threat She built houses on sand Lies down and wait For the hate to walk away
5.
In Desert Springs Nursing Home, downtown, Millie’s worked for a long time Round’ the fall, some new girl came, No dime but, a funny name, she’s Pinky Rose After work, Millie drove up-to the bar with Pinky, Both in a yellow car, yellow dress. ‘I look for a new roommate’ She said, so, Pinky moved into her doll’s house ‘I wonder what’s to be twins. Do you Think they know which one they are ? They might switch back and forth Maybe they’re all the same in one’ Pinky’s dreaming Millie’s crying with blood on her hands Gun shots, two-headed beasts, blind spots Blue pool steams, cold and hot She’s floating back and forth
6.
(Chorus) What can we wise women do ? When vile, scornful men sue Purely dressed in white little girls, Oh they do that well ! Nourish, nurse, wash and clean Male disorders and complaints Always consenting, silent girls, Oh they do that well ! Handle, fold, fake and fill Male desires, whimsy lust (Chorus) You know what to say, what to feel, Oh soothing mothers ! They so well raised us up Feeling brittle, dazed and ill In their drooling gaze I reflect As a glowy flesh Deep, my bones hold my rage I would gladly yell at them ‘Don’t, it’s paranoia’, says the octopus Behind the glass wall, do they dare respond to you ‘Chill, it’s paranoia, lady, do not fuss’ Behind the glass wall, do they dare respond to you Now on, I fully get what was on mother’s minds Just look around, through distorting mirrors Throw you back their horrors, exploding in full force
7.
Steel Wings 04:14
It’s a town drowned in a sea of clouds Time and space suspended like frozen puppets Endless layers of spinelessness In this town there’s a place very green Flowery, yet oddly wet, scarcely swampy Wild grass weaving a wide cobweb (Chorus) Drag my steel wings Drag them down on the ground Drag my steel wings Bells are still ringing In this place there’s a girl and her mother They wander in an infinite whisper Is this garden truly fruitful ? Through the infinite whisper, the mother Confused, suddenly gripped her sweet daughter Lianas closed up around their feet (Chorus) ‘It is a wetness that won’t make me grow, oh oh, let me go’
8.
Red Seaweeds 03:35
In my courtyard a fountain leaps Sinks back into itself On a laundry line my body waves Pinned by bare shoulders skin Both kneeling in the attic, bent over A shoebox full of pictures (Chorus) Everyday I come by lush tidepools Maybe to fathom red seaweeds scoops - tell me, tell me Empty house, the doorbell rings lazily Dinner has burned for hours In a gloomy motel room, she’s closely Watching encrypted TV screen (Chorus) Dancing water lilys like floating stamps - free of fate
9.
One dark night, after a brutal fight, Millie chased away Pinky from her doll’s house ‘I will drown, into a grieving clown Life is cruel, I’m falling down in the pool’ Yellow dress, floating in blue water Two-headed beast, open jaws, right under She woke up, lone in a hospital Nurse and clown both ‘round her bed, ‘where’s my doll ?’ In the house, nearby the closed fairground Willie’s yelling, giving birth to his child While Millie’s trying to help Willie Pinky stands back, mesmerized, frozen eyes Three women, lone in a dark wild night, Had the most wonderful dream : he will die Thus, at dawn, her body shook and cooled Summer bloomed, her man was shot, in the pool Walking barefoot through Desert Hot Springs sand Three women left the dream behind
10.
Oddly Old 03:41
Playin’ hide and seek , playin’ leapfrog, doing slide, it’s playtime ! I dress up like it was carnival everyday of my life They don’t play the game and it’s a shame Grown ups are grave and lost our messy joy La la la la… They don’t play the game and it’s a shame Grown ups are grave and deadly dull (Chorus) Feel oddly old All pathways fold Shaky tightrope walker Feel oddly old All pathways fold Shaky entertainer Playin’ hide and seek , playin’ leapfrog, doing slide, it’s playtime ! I laugh, I cry, I stumble, waddle, dance and shout They don’t play the game and it’s a shame Grown ups are grave and deadly dull (Chorus) Playin’ hide and seek , playin’ leapfrog, doing slide, it’s playtime ! I dress up like it was carnival everyday of my life They don’t play the game and it’s a shame We, children, can see what’s unfair Feel oddly bold All pathways unfold Like an old woman’s long grey braids
11.
In the sun of mounts We bask like lazy cats Laid in fresh cool grass We bask like lazy cats Molten in the sun We bask like lazy cats Knowing that across Moutains crumble into the abyss Like a bad feeling An odd cloud is passing over us Through the mountains sky A piece of grassland is floating With blossom roots hanged below It flies like a jellyfish in the sky Through the mountains wind The jellyfish glides and goes away Through the mountains sky Vanishing like a little hot-air balloon on a postcard Like a bad feeling Leaving a threatening trace Sudden, huge and heavy, An ocean wave moves towards us In a common prayer We rolled up on ourselves We passed through the wave Or did the wave pass through us ? In a common prayer The wave did not swallow us Everything in quiet mounts realigned As if nothing happened A constant landscape True to itself From start to end

about

Moins acoustique et intimiste que son prédécesseur Folly Tales, sorti en 2018 sur Another Record (FR) et Outré (UK), Dance until the crimes end s’oriente vers une pop capricieuse, fantasque et sophistiquée parfois teintée de folk psyché. Un songwriting aux influences musicales anglo-saxonnes (Kate Bush, Robert Wyatt, Virginia Astley, Joni Mitchell) dont les paroles témoignent d’un goût pour la poésie anglaise.

Au détour de ce voyage rocambolesque et tourmenté, on croise notamment un collectif féministe engagé contre le nucléaire dans les années 80, trois femmes aux destins liés les uns aux autres, une bourgeoise anarchiste russe dans les années 20, une mère et sa fille en éternel conflit… Autant d’aventures sublimées par des mélodies sinueuses et des surprises harmoniques, entre autres artifices dont Bess of Bedlam a le secret.


Less acoustic and intimate than the first album Folly Tales, released in 2018 on Another Record (FR) et Outré (UK), Dance until the crimes end shifts towards a capricious, fanciful and sophisticated pop, sometimes coloured with psychedelic folk. A songwriting influenced by Anglo-Saxon music (Kate Bush, Robert Wyatt, Virginia Astley, Joni Mitchell), including lyrics which express a taste for English poetry.

Passing through this extraordinary and tormented trip, you particularly come across feminist activists against nuclear war in the 80’s, three women whose destinies untertwine, a russian anarchist woman in the 20’s, a mother and her daughter endlessly struggling… All these adventures sublimated by winding melodies and harmonic surprises, to which Bess of Bedlam alone holds the key.

credits

released May 20, 2022

Fanny L’Héritier : vocals, pianet Hohner, guitar, analog keyboards
Guillaume Médioni : electric guitar, bass, banjo, rythmic arrangements

Music & Lyrics : Fanny L’Héritier
Recording, production & mastering : Guillaume Médioni

Artwork : Juliette Zanon
Graphic Design : Judith Saurel

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Bess of Bedlam Lyon, France

Bess of Bedlam is a duo with Fanny L’Héritier & Guillaume Médioni, also members of Odessey and Oracle.

A capricious, fanciful and sophisticated pop, sometimes coloured with psychedelic folk.

A songwriting influenced by Anglo-Saxon music (Kate Bush, Robert Wyatt, Virginia Astley, Joni Mitchell), including lyrics which express a taste for English poetry.
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